The exhibition functions as a temporary workspace in which existing and new works are set into circulation. Paintings, objects, and spatial interventions do not appear as finished statements, but as elements of an unfolding investigation into perception, scale, and construction. Inside and outside, surface and volume, figuration and abstraction are not opposed here, but continuously rearranged.

Franssen approaches the image as a passage: a place where seeing and constructing coincide. His work activates space as a space for thought, in which sightlines shift and meaning stabilizes only temporarily. During the exhibition, he develops new work on site, brought together in precise spatial constellations.